Yinka Shonibare CBE's "Suspended States" Exhibition: A Multifaceted Journey of Cultural Identity - Serpentine Gallery
Yinka Shonibare CBE's latest exhibition, "Suspended States," is a mesmerizing exploration of cultural identity in our ever-globalizing world. Born in London in 1962 and raised between London and Lagos, Shonibare's work encapsulates a postcolonial hybridity, drawing from theatrical, ironic, and tragicomic strategies to illuminate the dynamics of power performance.
The exhibition, which runs from April 12 to September 1, 2024, features a diverse array of artworks spanning sculptures, textiles, woodcuts, and more. What struck me most was the sheer diversity of materials on display, from intricate prints to striking sculptures. Each piece seemed to tell a unique story, weaving together narratives of migration, colonialism, and cultural exchange.
One particular highlight was the room dedicated to Shonibare's gas works projects. It was a poignant tribute to all the individuals who contributed to his artistic journey, and the gesture of giving everyone flowers added a touch of beauty and warmth to the space.
The turnout for the solo exhibition was impressive, with a vibrant crowd coming out to celebrate Shonibare's work. While not all pieces were available for acquisition, there were some prints that were simply too irresistible to pass up. I have a feeling they'll be snapped up quickly, so I'm glad I didn't hesitate.
"Suspended States" delves into themes of boundary suspension, whether psychological, physical, or geographical. Shonibare's exploration of public colonial statues, sites of refuge, and the legacy of war is both thought-provoking and timely. His use of African print as a symbol of the complex ties between Europe and Africa adds layers of meaning to each artwork.
Moreover, the exhibition sheds light on Shonibare's commitment to cultural and social exchange projects. From his Guest Projects programme in East London to the G.A.S. Foundation in Nigeria, his support of other artists is commendable and speaks to the power of collaboration in the art world.
As one of Britain's most celebrated contemporary artists, Shonibare's inclusion of CBE as part of his professional name is a nod to his complex relationship with British honours and the systems they represent.
In conclusion, "Suspended States" is not just an exhibition—it's a journey. It's a journey through layers of identity, history, and interconnectedness. It challenges us to question our assumptions and invites us to see the world through a different lens. And for that, I am grateful.
